![]() Initially very aware that The Beatles’ groundbreaking sound was driving its market, Thomas Organ made a sincere effort to reproduce the glories of the Vox sound, but in a more-efficient and bottom-line-friendly. It is the "Guitar Center" by 20th January 1968, the arrival of new stock being recorded on this day. But not all early solid-state Vox amps from Thomas Organ were entirely awful, and this V-14 Super Beatle is a case in point. On 20th November 1967, the store at 7501 Sunset was still the "Organ Center". This board would be included in the Berkeley III and Scorpion amps plus the Satellite, Galaxie and Orbiter powered music stands. The seven tube circuit featured three ECC83. Cambridge Reverb V-3 - Introduced in 1965, the original Cambridge Reverb was an all tube amp with circuitry inspired by the JMI Vox AC-15 amplifier. If one goes through the California newspapers, however, no sign of a "Vox Guitar Center" comes to light. In the two years between 1965 to 1967, Thomas Organ developed three different versions of the Cambridge Reverb. It is often said that the "Organ Center" became the "Vox Guitar Center" in late '64, and only after that the "Guitar Center" - but no reference or contemporary source is cited. The Vox guitar amplifiers manufactured by Thomas Organ in America incorporated innovative features and special effects not found in other amps from the mid 1960s. The interstage transformer isolated the preamp circuitry from the power amp circuitry and was the brain child of Thomas Organ/Vox engineer Sava Jacobson. ![]() 7501 became "Whalin's Sound City" thereafter, owned and run by George Whalin. The Viscount and Buckingham amps would replace the British made Vox AC-30 and AC-30 Super Twin tube amplifiers in the North American market. ![]() In late 1964, the Thomas Organ Company had two principal bases: one to the north west of Chicago (the 'Studios. The performance pre-dated the deal struck in London by a few days. After Sava Jacobson completed the electronic design for the 'AC-30 based' Vox Viscount at Thomas Organ, speakers needed to be selected for the amp. Some at least will have taken note of the Vox AC100s on stage, either from the audience or on a filmed news clip. Relatively few British amps ever made it to American shores due to this production 'escape' clause written into the US distribution contract between Thomas Organ and Vox. The "Guitar Center" later moved to 7425 Sunset. The Beatles at the Hollywood Bowl, 23rd August, 1964. Marv Kaiser was involved in promoting Vox at the "Battle of the Beat" at the Hollywood Palladium and the "Battle of the Bands" in San Mateo - see this page.īut to return to Van Nuys, "Keys to Music" had been founded by two men: Charles Strong (named in the piece above) and Wayne Mitchell, who went on to turn the "Organ Center" at 7501 Sunset Boulevard, Hollywood, into the "Guitar Center". The Vox van! - bringing promotional equipment from Sepulveda. Above, a short piece in the "Oxnard Press Courier", 2nd March, 1965.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |